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As early as age 12, though she had loving and nurturing parents, Roxane experienced some level of shame before the rape. This book raises questions about what we refuse to notice, and who is made invisible. I am the author of Difficult Women, Hunger, World of Wakanda, An Untamed State, Bad Feminist, Ayiti. Roxanne Gay’s Hunger is a memoir about shame: how that shame manifests and perpetuates when buried, and how, under the right conditions, one may find healing when that shame is unearthed.
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In 11 taut paragraphs, she delivers a master class on chairs with arms that raise full belts of bruises, and bouts of public humiliation. Consider Chapter 59, a quick dissection of the ways chairs in classrooms and theatres and restaurants become instruments to punish the unruly, fat body - Gay’s body. Memoir - a view through the narrow aperture of self - can be as forgettable as the flotsam of Instagram, but “Hunger” has the power to disturb and linger.
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There is an incantatory element of repetition to “Hunger”: The very short chapters scallop over the reader like waves. Nothing seems gratuitous a lot seems brave.
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Gay has had what she calls her “seedy episodes” - she writes of self-destructive sexual encounters and a gig as a phone-sex worker, but these choices reverberate from the horror of that hunting cabin. The opening section of Hunger is written as an accretion of false beginnings: The story of my body is not a story of triumph, she writes, and then later, I don’t know how to talk about rape. In Roxane Gay’s book Bad Feminist (2014), she writes an essay, What We Hunger For, about the difference between strength and surviving, and the importance of strong female characters. Much of “Hunger” ponders appetite, physical and bisexual.